Apostle Luca paints the icon of The Mother of God

Iconostasis
Iconostasis of the church of Twelve Apostle in The Kremlin The iconostasis is quite a solid screen stretching from the northern to the southern wall of a church, whereon icons are arranged in a predefined order. This screen divides the Altar from the church's middle part. There are three doors in the iconostasis. The central doors are called the Holy (Royal) Doors. And a man who is not in a Holy order is not permitted to enter them. On the right side there are the southern doors, they are sometimes called Deacon's, and on the left side - the northern doors.
First there was no iconostasis in orthodox churches. During the first centuries the altar was visible for all the praying people, it was divided from them only with a lattice. Nowadays the Holy Doors are also often latticed, and the iconostasis itself rarely comes up to the ceiling. It is arranged in such a way to make the exclamations of a priest in the Altar audible for everyone in the church.
When the icons themselves are looked at one notices that the iconostasis is usually decorated with several rows of icons.
The lowest row. There are some important moments, which make it easy to understand the complex symbolism of the iconostasis. When you enter an unfamiliar church it is worth paying attention to the images of the lowest row. The biggest icons are placed here.
IconostasisLet's approach the rightmost image. It is the icon of that church. It will always prompt you in honor of what holyday or Saint was that church consecrated. The same place on the left side is occupied by the "icon of the local row". You can always define the Saint who is mostly honored in that region.
Approaching the Holy Doors you'll see the small icons of the Annunciation and of the four Evangelists: Mathew, Mark, Luke, and John. Above the Holy Doors "The Mystical Supper" is placed, it is the symbol of the mystery of the Holy Eucharist.
Right to the Holy Doors the large icon of the Savior is placed, and left to it - the icon of the Mother of God with the Infant in Her hands. On the northern and southern doors Archangels Gabriel and Michael are painted.
The second row. Now we will look at the icons of the next row. While the lowest row introduces us the basic moments of the orthodox dogma and the particulars of local worship of Saints, the second row (that is also often called The Deesis) is more complex: there are more icons here and they are smaller. The whole row symbolizes the praying of the Church to Christ, praying that happens now and will finish at the Last Judgment. At the middle of the row (just above the Holy Doors and the icon of "The Mystical Supper") the "Spas in Powers" is placed. Christ sitting on the throne with a book in His hand is painted against a background of a red square with elongated endings (the Earth), a blue oval (the spiritual world), and a red rhomb (the invisible world). This image represents Christ as a stern judge of the whole universe. The icon of John the Forerunner, the God's Baptist, is placed to the right and the icon of the Mother of God - to the left. Her image is not occasionally "Patroness (Protectress)". The Theotokos is painted in full-length looking to the left with a roll in Her hand. Right and left from these icons we see the images of Archangels, Prophets and the most well-known Saints, which present the Christ's Holy Church.
The third row. That is so-called the "holiday row". We can also call it historical: it introduces us the events of the Evangelical history. The first icon here is the Nativity of the Most-Holy Mother of God, then go the Presentation in the Temple, the Annunciation, the Nativity of Christ (Christmas), the Meeting of the Lord, the Epiphany (The Manifestation of God), the Transfiguration, the Entrance into Jerusalem, the Crucifixion, the Resurrection, the Ascension, the Falling of the Holy Spirit upon Apostles, and the Assumption.
Iconostasis of The Peter and Pavel's churchThe fourth row. While the icons of the third row are peculiar illustrations to the New Testament, the fourth row introduces us the times of the Old Testament Church. The Prophets who vaticinated the future - the Messiah and the Virgin who would give birth to Christ - are painted here. The icon of the Mother of God "Oranta", or "The praying", which shows the Most-pure Virgin praying with Her hands lifted up to Heaven with the Infant on Her bosom, is not accidentally placed in the center of this row.
The fifth row. This row is called the "Forefathers' row". Its icons send us back to even earlier times. The Forefathers from Adam to Moses are painted here. The "Old Testament Trinity" is placed in the center - it is the symbol of the Pre-eternal Council of the Holy Trinity about the self-sacrifice of God the Word for the atonement of the man's Fall.
The top of the iconostasis is crowned with the Holy Cross.
But not every church has such an arrangement of the iconostasis. In Old Russia's churches the type of five-circle iconostasis was dominant but the number of rows could be reduced even to only one with the necessary icon of "The Mystical Supper" above the Holy Doors.






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