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An introductory discussion on the symbolism of colors in
icons Byzantines considered that the meaning of art is beauty. They painted
icons that shined with metallic gold and bright colors. In their art each
color had its place and value. Colors - whether bright or dark - were
never mixed but always used pure. In Byzantium, color was considered to
have the same substance as words, indeed each color had its own value
and meaning. One or several colors combined together had the means to
express ideas. Being trained in Byzantine art, Russian master-iconographers
accepted and preserved the symbolism of color. Russian icons did not achieve
the same magnificence and austerity as the art of imperial Byzantium.
However, colors in Russian icons attained a brightness that was livelier
and more vibrant. The iconographers of ancient Russia learned to create
works close in inspiration to local conditions, tastes and ideals.
 Gold
The brilliance of gold in mosaics and icons made it possible to feel the
radiant light of God and the splendor of the celestial kingdom where there
is never any night. Gold symbolized the divine nature of God himself.
This color glimmers with different nuances in the icon of the Mother of
God of Vladimir.
Purple
Purple, or crimson, was a color very important in Byzantine culture. This
is the color of the Celestial King and the Byzantine emperor, whom André
Grabar called "God’s Lieutenant on earth." Only the Byzantine
emperor could sign edicts in purple ink and sit in glory upon a purple
throne, and it was only he who wore purple clothing and boots - for all
others it was strictly forbidden. The leather or wood bindings of the
Gospel in churches were sometimes covered with purple cloth. This color
is present in icons on the clothing of the Mother of God - the Celestial
Queen.
 Red
Red is one of the most frequently used colors in icons. This is the color
of heat, passion, love, life and life-giving energy, and for this very
reason red became the symbol of the resurrection - the victory of life
over death. But at the same time it is the color of blood and torments,
and the color of Christ's sacrifice. Martyrs are depicted in red clothing
on icons. In red celestial fire blaze the wings of the Seraphim - angels
stationed adjacent to God's throne. Sometimes icons were painted with
a red background as a symbol of the celebration of eternal life.
 White
White is the symbol of the heavenly realm and God’s divine light.
(Figure 3) This is the color of cleanliness, holiness and simplicity.
On icons and frescoes, saints and righteous people are usually depicted
clothed in white as righteous ones - people who were good, honest, and
lived by "the Truth." In the same manner, white was used in
the swaddling bands of babies, the shrouds of the dead and the robes of
angels. Only righteous souls were depicted as wearing white. 
Dark-Blue and Blue
Dark-blue and blue indicate the infiniteness of the sky and is the symbol
of another everlasting world. Dark blue was considered the color of the
Mother of God who combines in her self both the terrestrial and celestial.
The backgrounds of mural paintings in many Byzantine churches dedicated
to the Mother of God are filled with a celestial dark blue.
Green
Green is the color of natural, living things. It is the color of grass
and leaves, youth, flowering, hope, and eternal renovation. Ancient iconographers
often painted the earth green to denote where life began - such as in
scenes of the Annunciation (Figure 4) and the Nativity.
Brown
Brown is the color of the bare earth, dust, and all that is transient
and perishable. Used in combination with the royal purple clothing of
the Mother of God, this color reminds one of her human nature, which was
subject to death.
 Black
Black is the color of evil and death. In iconography, caves were painted
with the color black as a symbol of humankind's grave and the gaping infernal
abyss. In some subjects this was also the color of mystery. For example,
against a black background, which indicated the incomprehensible depth
of the universe, icon painters depicted Cosmos - an old man with a crown
- in the icon of the Pentecost or Descent of Holy Spirit. The black robes
of monks, who have left the path of worldly life, are a symbol of their
eschewing the pleasures and habits they formerly kept, and dying a death
toward this way of life.
Colors Not Used in Iconography
A color that was never used in iconography is gray. When mixing black
and white together, iniquity and righteousness, it becomes the color of
vagueness, the color of the void and nonexistence. There was no place
for this color in the radiant world of the icon. |
